If a lighter shade of a secondary color is more suited to your communications piece, you may use a 50% tint of the color, as shown. You may also use these tints as accents or backgrounds.
Click here to see examples of collateral pieces using tints.
50% |
PMS 5195 | CMYK: 20,28,38,12 | RGB: 178,161,171 | HEX: B2 A1 AB |
50% |
PMS 491 | CMYK: 17,42,35,18 | RGB: 189,152,154 | HEX: BD 98 9A |
50% |
PMS 7505 | CMYK: 20,27,38,12 | RGB: 246,238,221 | HEX: F6 EE DD |
50% |
PMS 5615 | CMYK: 33,21,32,10 | RGB: 172,183,174 | HEX: AC B7 AE |
50% |
PMS 651 | CMYK: 20,11,4,0 | RGB: 205,216,230 | HEX: CD D8 E6 |
50% |
PMS 141 | CMYK: 2,10,36,0 | RGB: 249,228,178 | HEX: F9 E4 B2 |
50% |
PMS 4525 | CMYK: 12,11,26,0 | RGB: 227,221,196 | HEX: E3 DD C4 |
50% |
PMS 7499 | CMYK: 4,3,13,0 | RGB: 246,243,226 | HEX: F6 F3 E2 |
PANTONE® and PANTONE Matching System® (PMS) are registered trademarks of Pantone, Inc. Please note that computer monitors may not accurately display PANTONE colors.